It’s pretty small and also really isolated. There’s a lot of music and art happening and a lot of overlap between the forms. It was a full show, and people were really supportive, and there’s a great DIY scene.Ī: That was actually another question I had because I know the DIY scene is very important and prominent in Chicago, so I was wondering if you could describe how it’s like where you’re from in Halifax.Į: The scene in Halifax is super supportive and great. I’ve kind of had this idea that it was really jaded and touristy and just all consumerism and gambling. That was actually really good for us psychologically.Ī: I can imagine! So, what has been your favorite city or cities so far? Either to play in or just to be in?Į: That’s a good question! I really liked Las Vegas, like unexpectedly. So, we ended up moving all of our luggage to the top which cleared things out. We got a roof-rack in Texas, I think? Just somewhere in Texas. We’ve been in the van for about 8 weeks now.Ī: What’s that like? Is it cramped at all?Į: Yeah, it’s cramped. It’s definitely the longest tour we’ve ever been on in terms of one straight stint without breaks, like without flying anywhere. How has that been? I know I start missing home after going on vacation for even a week.Į: It’s had its ups and downs, but it’s overall been great. It ended up being 50 with the added dates.Ī: That’s insane. ![]() It’s a 34-date tour, which I feel is really long.Į: It’s even more. There’s not really any found sounds or anything like on “Tuning.” Yeah, it was pretty just straight-up we wrote the songs all together and went into the studio and recorded it mostly just live off the floor.Ī: You guys are over halfway through your tour. It sort of just straight-up bass, guitar, drums, and some synth. So I guess there are various things to be expected.Ī: Is there sort of an evolution from “Tuning,” your 2017 record? In what ways is it different or similar?Į: I think it’s a little more pop than the last one or less experimental in terms of form and instrumentation. ![]() They’re all sort of upbeat pop-like songs, but there are definitely some quieter and also much louder ones on the record. So, what can we expect from that? Are there any hints that you might be able to give?Įliza: Yeah! I guess all the singles are of the same theme in terms of mood. Thus far, four new singles from Mauno’s upcoming record, “Really Well” (released August 2nd) have been released, and they are currently touring through the U.S and Canada. Anais Turiello got a chance to sit down with Mauno last night before the show to speak with Eliza at Schubas Tavern.Īnais: I know you guys are about to release your third record, “Really Well” on August 2nd. Both Nick and Eliza’s delicate yet powerful and multifarious vocals are complemented by the new and intense sounds of an electric guitar as well as pulsating bass lines. This sophomore record leans more towards indie-rock and indie-pop as opposed to the premiere record, which possessed a heavier focus on an indie-folk sound. In 2017, Mauno released their second record, “Tuning,” and proved themselves to be incredibly diverse, while still managing to keep a tight grasp upon the true roots of their original sound. Its sound and style can be described as something like a soothing dream, consisting of the duo’s alternating, harmonious vocals, as well as soft, rhythmic melodies. The band, consisting of Eliza Niemi on bass and vocals and Nick Everett on guitar and vocals, has evolved with a steady yet powerful progression since releasing their first record “Really Well” in 2016. ![]() Originating from Halifax, Nova Scotia, Mauno (pronounced mao-no) have transcended the constrained and distinct label of a singular music genre.
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